Halloween is not officially over until I’ve dropped my annual HALLOWEEN WRAP UP show. This is gonna be an hour of horror anthems, low end heavy and raver friendly. The perfect conclusion to another great season, specially designed for the Halloween fanatic.
Another Halloween season has come to pass, and once again, we’re left with nothing but some fuzzy memories, crappy candy, and great music. This month’s episode is not for everyone. I’m catering to the heavy bass loving, Halloween fanatic! If I just described YOU, then I hope you plan to check out the broadcast….
It’s HALLOWEEN SEASON 2013! This sure as hell ain’t the last Z JAM that’s gonna be posted by me in the coming weeks.
There haven’t been very many DEAD FRIDAY’s as of late. Sorry, been busy. Here’s a dose of jams by Dead Kids that have nothing in common except that I’ve been showing them a lot of love over the past month or so. Get ready for an ecclectic mixed bag of awesomeness (even more so then…
Today was a big day for me. My SOUNDCLOUD hit 20,0000 plays. It’s quite a monumentous number to reach, and I’m so grateful to all of you Dead Kids that have been pumping and sharing my mixes and tunes.
To say thanx, I’ve temporarily enabled DOWNLOADS on my newest track, which has also got me quite…
^ How’s that for alliteration?
The below VINYL RIP is rare in two ways. First, it’s a difficult track to find, on any medium. Second, it’s a BREAKCORE selection that I actually like. That doesn’t happen too often.
To be more specific, this jam falls into the sub-genre of RAGGACORE, a style championed by Dutch producer,
JungleXpeditions is a world wide distributor of DRUM N BASS that is based out of Montreal, Canada. They focus on music that hovers between JUNGLE and BREAKCORE, with lots of emphasis on oldschooly breaks. On their various labels, you’ll find jams that are innovative, and boundary pushing, while always paying tribute to the roots of…
The DRUM N BASS selection you are about to hear was originally released in 2003, BUT it sounds like it is fresh off the presses. No wonder. It’s by THE REDEEMER.
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